Two Poems

Introducing Aleksander Carver

Image: Avenue at Buscot by Rose-Marie Caldecott


My search ended in a drinking place, wedged
by a window to watch the rain

Behind me, an old trio were pulling out stories, tilting them
like this, like that, like magic flames 
dancing in their hands.

The tale of the first is like a boulder leaning forwards, 
about the Old Quarter in the time when it had more purple, 
and spirits which still sang a little at night while strings
sloped queens up mountains…
                 the rest of the tale is beautiful too.

There’s still a way, the second insists: 
to the door in the river, they say was
built by pieces fallen from the sky – or perhaps they leapt
for some kind of freedom…
                 the rest of the tale is brooding too.

As dawn gave way to day’s rhythms, reveals
the third, a man with glass hair
sat and ordered –

She’s cut by rumbling, like a hive of rolling logs: 
it’s the grouchy thunder man grumbling
in his cloud rings.

Lashed by sermons of light and gale,
most would surely scuttle, bend low
like tarmac, yet she refuses and she duels
even as he spits against the glass.

Her story does not flinch or clench 
but loosens instead: she unfolds 
how the hair sparkles and illumes

the barista’s blush,

like two fruits to be nibbled, he’s told, 
as the red spreads across his eyes and 

only later, when the two men
have writhed and even bitten, 
the crimson mist sails and he sees
a tiny hole in the roof.

The trio dissolve into laughter.
When they’ve finished the young man 
by the window has gone
and the rain and thunder have stopped 
to listen.

Memorable Death by Shipwreck

Some piece of you broke off – a finger, a tooth.
It clutched my mind’s driftwood grooves.

Monster flailing in the depths, tooth in the sea,
finger floating: this cuckoo bone kicked you out. 
Like a false fossil put on display,
it became the main exhibit, your final article.

Now my gallery screen is filled, brimming whiteness,
flooding cortices, bloating the amygdala.
The storm sheds your edges. You are bent, seared,
stretched, gone forever.

But you can still be art, 
ready-made, bitter and twisted,
something to clutch, a brain’s cave of vistas.

For what is the real you? A half-corpse sunk in the dark.
Your perfect dark is a lost box, allow me this flotsam,
this strike of white. It’s all I have left of you.

Aleksander Carver is an undergraduate at the University of York. He lives in Newcastle-upon-Tyne, and has recently contributed to the Crossed Lines poetry project. He is currently working on his first collection of poems.

JUNE 2020 Aleksander Carver MONK


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